‘Masses and Classes and Apparatus of Capture’ is a new sculptural work by Lauren Printy Currie which brings together the artist’s research into the textile industry’s role in the chronicling of historical events interweaved with personal narratives and moments of experience; a texture of different stories and elements.”
Masses and Classes and Apparatus of Capture is the first exhibition featured in Of Lovely Tyrants and Invisible Women, a one year programme curated by Civic Room, Glasgow from February 2019 until February 2020. Of Lovely Tyrants and Invisible Women investigates themes of spatial politics, gender and racial hierarchies within imperial architecture.
Generously funded by Creative Scotland with additional project funding provided by The National Lottery Heritage Fund.
Masses and Classes Exhibition Text
Of Lovely Tyrants Press Release